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Mc Kendry also gave Mapplethorpe access to the Met's eclectic photography holdings, then not often on public display, where he saw and absorbed the work of photographers like Thomas Eakins, Alfred Stieglitz, Paul Strand, Edward Steichen and Clarence White.

Like these would-be censors, Patricia Morrisroe, a magazine journalist, does not engage in an informed discussion of her subject's work in "Mapplethorpe: A Biography"; instead she focuses on his progressively degenerate life style.

Her book is long on gossipy detail (nearly a quarter of it is devoted to a ghoulishly clinical rundown of Mapplethorpe's final days) but short on real engagement with the work.

But his rapacious sexual appetite led him to other, less stable and sometimes downright dangerous liaisons. Morrisroe, he had a penchant for sadomasochistic, coprophiliac encounters with well-muscled black men he picked up in bars.

A racist (who also seemed to dislike Jews), he called them "nigger" in love play and exacted from them servitude as photographic models.